Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the option that best fits each of the numbered...

Read the following passage and mark the letter A, B, C or D on your answer sheet to indicate the option that best fits each of the numbered blanks from 22 to 26.

        When radio first reached mass audiences in the early 20th century, it changed how people learned news and enjoyed entertainment. Broadcasts brought live speeches, music, and drama into homes that previously relied on newspapers and traveling performers. (22) _______. Stations experimented with formats and schedules to attract listeners in cities and rural areas alike. During wartime, radio also became a tool for official announcements and morale boosting. (23) _______. After the war, portable sets and affordable components let families listen almost anywhere. Community programs preserved local dialects and stories that national networks tended to overlook. (24) _______. Educational series and public-affairs shows helped citizens follow debates and public policy. (25) _______. Today podcasts and streaming services echo radio’s habits of scheduled listening and conversational tone, and the medium’s legacy still shapes how we expect audio to inform and entertain. (26) _______.

(Adapted from https://www.smithsonianmag.com/history/radio-activity-the-100th-anniversary-of-public-broadcasting-6555594)

Question 22. A. This technological innovation created communal listening experiences that fundamentally transformed evening routines in households nationwide

B. Such broadcast capabilities established shared auditory rituals that substantially altered domestic leisure activities across society

C. These transmission advances generated collective entertainment practices that significantly reshaped family time throughout the nation

D. This communication medium produced synchronized listening habits that markedly changed household social interactions broadly

Question 23. A. Consequently, governmental authorities and civic organizations recognized radio’s potential for coordinating emergency responses and reaching dispersed populations

B. However, broadcasting stations deliberately avoided controversial political topics, featuring predominantly local artists and amateur performers instead

C. Nevertheless, technical limitations meant that only brief program segments could be transmitted clearly across substantial distances

D. Meanwhile, audiences initially remained skeptical, generally preferring printed newspapers for comprehensive commentary and detailed analysis

Question 24. A. It was local broadcasters who took initiative in documenting regional customs and traditions, educating younger generations about their cultural heritage

B. It was community producers who stepped forward to preserve indigenous storytelling practices that national networks frequently overlooked systematically

C. It was regional stations that prioritized recording oral histories and folk traditions that major broadcasting companies tended to neglect

D. It was neighborhood radio programs that focused on maintaining linguistic diversity and traditional narratives that commercial networks rarely featured

Question 25. A. Serialized radio programming was utilized by educators to deliver literacy instruction and civic education to audiences lacking formal schooling

B. Regularly scheduled broadcasts were employed by teachers to provide educational content to listeners with limited access to traditional classrooms

C. Radio transmissions were harnessed by educational institutions to offer academic instruction to populations underserved by conventional schools

D. Radio programming was leveraged by instructors to disseminate knowledge to communities where educational infrastructure remained inadequate

Question 26. A. Consequently, contemporary audio storytelling maintains conventions like host-listener intimacy, scheduled releases, and sponsorship arrangements

B. Therefore, modern podcast formats preserve radio traditions including personal delivery styles, episodic structures, and commercial support

C. Thus, current digital audio media retains broadcasting patterns such as conversational tones, regular episodes, and advertiser backing

D. Hence, present-day audio content continues radio practices like familiar presentation, serialized publication, and financial sponsorship